Bach Bibliography Search Result

Author : Chapin, Keith
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Chapin, Keith Moore	From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. PhD, Stanford University, 2002. Ann Arbor, MI: University Microfilms International, 2002. 322p. ISBN: 0-493-87464-X. UMI No. 3067845.	diss.			2002	322p
	2.	Chapin, Keith	Human Work with Divine Material: A Work Concept in the Theory of Christoph Bernhard. A paper read at the Society for Seventeenth-Century Music, Eleventh Annual Conference, held at Wake Forest University, Winston-Salem, North Carolina, 3-6 April 2003. http://www.arts.uci.edu/sscm/archives/WForAbs.html	[p]SSCM_Winston-Salem			Apr 2003
	3.	Chapin, Keith	Classicist Terms of Sublimity: Christian Friedrich Michaelis, Fugue, and Fantasy.	AdParnassum	4	8	Oct 2006	115-139
	4.	Chapin, Keith	Scheibe's Mistake: Sublime Simplicity and the Criteria of Classicism.	18cM	5	2	Sep 2008	165-178
	5.	Chapin, Keith	The Rhythms of Counterpoint and the Representation of Time: Bach, Haydn, and the Et vitam venturi Fugue in the Missa in tempore belli. A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008.	[p]AMS_Nashville			Nov 2008		AbstractsPapersAMSoc p.105
	6.	Chapin, Keith M.	Bach's silence, Mattheson's words: Professional and humanist ways of speaking of music. In: Keith Chapin and Andrew H. Clark (eds.), Speaking of Music: Addressing the Sonorous. - New York: Fordham University Press, 2013. 344p. ISBN: 0-8232-5138-1; 978-0-8232-5138-4; 0-8232-5139-X; 978-0-8232-5139-1. pp. 49-69.				2013	49-69
	7.	Chapin, Keith	Temporal Modes and Symbolic Stakes: Strict Composition in Early Nineteenth-Century Europe.	Musurgia	21	1-2-3	Oct 2014	29-41